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The Member of the Wedding (1952)

  • Drama
  • Tomboy Julie Harris dreams of running away with her brother and new fiancée away from the Deep South.

    English

    Description

    In a small Georgia town, twelve year old tomboy Frankie Addams feels unconnected to the world, a fact troubling to her. Her unconventional views for a twelve year old girl make her an outcast among her peers, which she in turn blames for her situation rather than anything of her own doing. Her only real friend is John Henry, her younger next door neighbor, although she doesn't see him as a friend since she doesn't consider him a peer. As her widowed father is all consumed with running his small business, Frankie is largely left to the care of their housekeeper, Berenice. Berenice tries to provide as much true guidance to Frankie and what Frankie considers her problems, although Berenice has her own troubles looking after her wild foster brother, Honey Camden, her only surviving family. In addition, Frankie largely sees Berenice's advice as the rantings of a large, crazy black woman. Frankie believes that she has finally found her place in life upon the return to town and announcement by her older enlisted brother Jarvis that he is getting married to a woman named Janice. Immediately upon seeing Jarvis and Janice together, she falls in love with "them", believing she can be a "member" of "them" by leaving town with them immediately following the wedding. Frankie even wants to change her name to Jasmine to feel more connected to them as they will all then have a name "Ja__". Two negative situations following the wedding - one in reaction to her finding out that she can't go with Jarvis and Janice - may however put Frankie in the right direction to truly finding her place in life. —Huggo

    The Member of the Wedding (1952) download

    The Member of the Wedding (1952) download

    The Member of the Wedding (1952) download


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    Reviews

    Comments

    6 days ago

    Were I pressed to name just five films which I consider to be the greatest of all time, THE MEMBER OF THE WEDDING would have to be amongst them. It is American cinema at its most elevated and humane, and in a strange, oblique kind of way says more about the pain, (that was once so commonplace), of being black in the USA , than many other films that deal with this issue in a more direct way. The story is so universal, and through its many metaphors applies to so many of life's experiences; it is full of compassion, humane values, humour and irony; it both warms and breaks the heart. Every single role is acted superbly by a fine ensemble of players, but the three main characters, Julie Harris, Ethel Waters and Brandon De Wilde, are quite simply perfection, and give performances that could not be bettered. The scene where the three sit together in the growing darkness of the kitchen and together sing `His Eye Is On The Sparrow' must surely rank as one of the most sublime and moving moments in world cinema. I have watched this film on countless occasions and never fail to marvel at its artistry, and too, how it reflects human values of worth and merit, and, whenever I have introduced the film to others who didn't know it, they have never failed to thank me profusely for doing so.Fred Zinnemann once said in an interview that it was his personal favourite of all the films he made, and I agree with him, but I would qualify his statement further by stating it is amongst the finest films that anybody has ever made! All technical values are first rate, and yet again, Alex North came up with a brilliant musical score that added yet one more layer of sheer excellence.A film every American should watch and be proud of; not in a negative nationalistic sort of way, but in a common, shared-humanity way! Non-Americans of course should also watch it, and see a positive side of American values, and, like me, be grateful to Columbia for bringing to fruition such a risky commercial proposition. It may not have broken box-office records, but it is a true treasure in the pantheon of American cinema. One of the truly great films of all time.

    6 days ago

    Carson McCullers was one of the best writers the South has ever produced. The clarity and sensitivity of her prose is captured beautifully in this all-but-a-play film. Ethel Waters, Brandon deWilde and Julie Harris repeat their triumphal Broadway performances. As a Southern native, it is my informed opinion that Ms McCullers captures the complex and often misunderstood relationships of poor white folks and their even poorer black neighbors in the small town South before the advent of the American civil rights movement. United in poverty, religion and ignorance; they are divided by the institutions of racism and class. The loneliness of childhood, the love that Bernice has for her young white charges together are explore in the backdrop of the rural South that Faulkner described as half myth and half mysticism. Ethel Waters reveals her impressive dramatic skills near the end of a long career , Julie Harris displays a mastery of her craft at the beginning of her distinguished career, and Brandon deWilde steals every scene in which he appears. Highly recommended.

    6 days ago

    Harry Cohn loathed this film -what greater recommendation could there be? In fact Columbia had no idea what to do with this masterpiece -just read the publicity department's tag-line (A Girl Becomes a Woman in the Middle of a Kiss !)and see their original poster with a mature woman with a Louise Brooks hair style fending off the drunken soldier who in the movie attempts to kiss 12 year old Frankie when she runs away. Stanley Kramer makes up for every lousy movie he directed (i.e. his complete oeuvre) by PRODUCING this masterpiece. It is director Fred Zinneman's favorites of all his films -and no wonder! It doesn't put a foot wrong. It has two of the most remarkable female performances put on celluloid; Julie Harris (in her late twenties as a twelve year old trying to understand and come to terms with her feelings of alienation "(she) was a member of nothing in the World.....and she was afraid") and Ethel Waters as Berenice, only too aware of the reasons for her sense of aloneness, settling her need to love on two white children and a black youth,all three of whom she loses. There are three main characters in this Kitchen Piece. It would be wrong to ignore the contribution of a child actor of genius: Brandon de Wilde as Frankie's grave little cousin John Henry West.It is impossible to imagine a more perfect cast to bring this most difficult of novels and play to the screen. It looks as if this movie is at last available on video( in the States at least ) I already have a copy taped from the Box. For me it is the ONE essential film to own -when a DVD is available I shall be first in the queue to buy it- surely a CD of Alex North's beautiful score cannot be far behind!This film is the litmus by which I judge the taste of all new acquaintances -if they haven't watched it with a shock of recognition and don't connect with Carson McCuller's genius and profound humanity, then I don't want to be a member of any club they might belong to!!

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